Sans Superellipse Udrar 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'Kairos Sans' by Monotype, 'Navine' and 'Revx Neue Rounded' by OneSevenPointFive, and 'PT Filter' by Paavola Type Studio (names referenced only for comparison).
Keywords: headlines, posters, branding, sports graphics, packaging, techno, sporty, futuristic, confident, industrial, dynamic branding, modern signage, tech display, performance tone, systematic geometry, rounded corners, oblique slant, squared curves, compact apertures, angular terminals.
A slanted, monolinear sans built from squared-off curves and rounded-rectangle geometry. Strokes stay consistently thick with low contrast, and corners are broadly radiused rather than sharp, producing a superelliptical feel in rounds like O/C/G and in the numerals. Terminals tend to be blunt and angled, with compact apertures and slightly condensed counters that keep the texture tight. The overall rhythm is forward-leaning and steady, with simplified forms and clean joins that read as engineered and purpose-driven.
Best suited for short-to-medium display text where its slanted momentum and geometric construction can carry a strong voice—headlines, posters, sports/event graphics, and brand marks. It also fits packaging, apparel, and tech-themed UI labels where a compact, engineered texture helps maintain clarity at larger sizes.
The font conveys a fast, contemporary tone—evoking motorsport, sci‑fi interfaces, and modern athletic branding. Its oblique stance and squared curves suggest motion and performance, while the rounded corners keep it approachable instead of aggressive. The result feels technical, efficient, and headline-ready.
The design appears intended to blend modern, performance-oriented energy with a clean geometric system based on rounded rectangles. By keeping contrast low and corners softened, it aims for high-impact legibility and a cohesive, industrial aesthetic across letters and numerals.
Uppercase shapes are notably geometric and boxy in their curves, while lowercase remains straightforward and utilitarian with minimal calligraphic influence. Numerals follow the same rounded-rectangle construction, giving dashboards and labels a cohesive look. Spacing appears tuned for impactful display setting, with a dense, even color across words and lines.