Serif Normal Omhi 3 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'EFCO Osbert' by Ilham Herry, 'Ltt Recoleta' by Latinotype, 'Clearface Gothic' by Linotype, 'Ponta Text' by Outras Fontes, 'Adonis New' by ParaType, and 'DynaGrotesk' by Storm Type Foundry (names referenced only for comparison).
Keywords: body text, editorial, book design, headlines, branding, traditional, authoritative, bookish, collegiate, readability, classic tone, robust presence, print-like texture, bracketed, rounded, softened, sturdy, high-shouldered.
A sturdy serif with generous, bracketed serifs and softly rounded transitions that keep the heavy strokes from feeling rigid. The letterforms show a moderate vertical stress and compact internal counters, producing a dense, confident texture in paragraphs. Capitals are broad and stable with pronounced top serifs, while lowercase forms have rounded bowls and a relatively high-shouldered rhythm that reads clearly at display and text sizes. Numerals follow the same robust, old-style-influenced warmth, with ample weight in curves and consistent terminal treatment across the set.
Well-suited for editorial typography, book and magazine layouts, and any setting that needs a confident, traditional serif texture. The substantial weight and clear serifs also make it effective for headings, institutional branding, packaging, and short-form signage where a classic voice is desired.
The overall tone is classic and grounded, evoking familiar book and newspaper typography with a slightly hearty, collegiate presence. Its softened joins and rounded terminals add friendliness to an otherwise authoritative voice, making it feel dependable rather than severe.
The design appears intended to deliver a conventional, highly legible serif with extra sturdiness and softened details, balancing authority with approachability. Its consistent serifing and dense color suggest an emphasis on stable text rhythm and strong presence in print-like compositions.
Spacing and sidebearings appear tuned for continuous reading, with even color across the sample text and no abrupt stroke breaks. The serifs are prominent but not slab-like, and the curves in letters like C, G, and S emphasize a smooth, traditional rhythm rather than sharp calligraphic contrast.