Sans Other Olze 1 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, game ui, logotypes, packaging, techno, industrial, arcade, sci-fi, aggressive, impact, futurism, branding, ui titling, retro tech, blocky, geometric, angular, squared, stencil-like.
A heavy, geometric sans with squared proportions and sharply cut corners throughout. Strokes are uniform and substantial, with counters often rendered as rectangular or slot-like openings, giving many letters a constructed, modular feel. Curves are minimized in favor of straight segments and chamfered diagonals (notably in forms like A, V, W, X, and Z), producing a crisp, mechanical rhythm. Lowercase follows the same block-built logic, with compact apertures and simplified joins; punctuation and numerals match the same angular, cut-in aesthetic for a consistent texture in text.
Best suited to display typography such as headlines, posters, game or app UI titles, branding marks, and packaging where a bold, constructed look is desired. It works particularly well in short phrases, labels, and impact statements where the angular cut-ins and rectangular counters can remain clearly legible.
The overall tone is technical and assertive, evoking arcade graphics, sci‑fi interfaces, and industrial labeling. Its sharp geometry and dense color give it a forceful, high-impact voice that feels modern, engineered, and slightly retro-digital.
The font appears designed to deliver maximum visual impact through modular, squared construction and consistent, heavyweight strokes. Its letterforms prioritize a futuristic, industrial feel and a distinctive texture over conventional neutrality, aiming for immediate recognition in bold display settings.
The design leans on distinctive interior cutouts and squared bowls, which create a strong pattern at display sizes but can reduce clarity in long passages. Spacing appears intentionally tight and the silhouette is highly recognizable, making it effective for short, punchy lines where the blocky forms can read as a deliberate stylistic signal.