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Free for Commercial Use

Solid Ogge 4 is a very bold, very narrow, low contrast, reverse italic, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Chamelton' by Alex Khoroshok, 'Hadney Buddy' by Arterfak Project, 'Dopeness' by Crumphand, 'Nd Harquied' by Notdef Type, 'Clarence Pro' by RodrigoTypo, 'SG Larchett' by Studio Gulden, 'Primal' by Zeptonn, and 'Raintage' by ahweproject (names referenced only for comparison).

Keywords: posters, headlines, stickers, packaging, kids media, playful, chunky, quirky, retro, cartoon, expressiveness, visual impact, whimsy, novelty, blobby, rounded, puffy, lumpy, soft-edged.


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A highly condensed, heavy display face built from swollen, rounded silhouettes with irregular, blobby contours. Strokes merge into solid masses and counters are largely collapsed, producing mostly closed, ink-trap-free shapes with soft, organic edges. The letterforms lean backward overall, with a bouncy baseline rhythm and uneven widths that create a deliberately unstable texture. Spacing appears tight, and the dense fill produces strong black coverage in words and lines.

Best suited to short, high-impact copy such as posters, headlines, stickers, merch graphics, and playful packaging where a bold silhouette is desirable. It also works well for kids-oriented or whimsical branding and social graphics, while extended text and small sizes may require care due to the collapsed interiors and dense color.

The font reads as humorous and tactile, like inflated foam, gum, or marker blobs. Its backward slant and lumpy geometry give it a mischievous, offbeat tone that feels informal and attention-seeking rather than precise or technical.

The design appears intended to deliver maximum visual punch through solid, inflated forms and a quirky backward lean, prioritizing character and texture over conventional readability. It’s geared toward expressive display typography that feels handmade and intentionally irregular.

In longer samples the solid interiors and condensed proportions make word shapes dominate over individual letter clarity, especially where traditional counters would normally aid recognition. The most successful impact comes from the overall silhouette and rhythm rather than fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸