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Solid Nyfa 6 is a very bold, narrow, low contrast, reverse italic, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection; 'Mr Dum Dum' by Hipopotam Studio; 'Graffiti Bomerang' by Nirmana Visual; 'Clarence Alt', 'Clarence Pro', and 'Galpon Pro' by RodrigoTypo; 'SG Larchett' by Studio Gulden; 'Primal' by Zeptonn; and 'Raintage' by ahweproject (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids media, stickers, playful, goofy, chunky, cartoon, graphic impact, playfulness, novelty display, silhouette-led, blobby, rounded, soft, bulbous, puffy.


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This font is built from dense, blobby silhouettes with heavily rounded terminals and a distinctly lumpy contour. Counters are largely collapsed, so letters read as solid shapes rather than open forms, giving an almost stamped or cutout look. Strokes feel monolithic and inflated, with irregular bulges that vary from glyph to glyph, creating a bouncy rhythm and uneven texture across words. The overall slant and compact horizontal proportions make the forms feel squeezed and energetic, while the tall lowercase keeps lines visually full.

Best suited for short, high-impact settings such as posters, headlines, product packaging, and playful branding where bold silhouette recognition matters more than fine detail. It can work well for kids-focused media, novelty labels, and sticker-like graphics, especially at large sizes where the blobby contours are most readable.

The tone is playful and deliberately goofy, like soft clay lettering or cartoon title cards. Its exaggerated mass and closed-in shapes create a bold, mischievous presence that feels more humorous than formal. The irregular edges add a hand-formed, spontaneous attitude.

The design appears intended to prioritize a strong, soft-edged silhouette and comedic personality over traditional typographic precision. By collapsing counters and exaggerating rounded mass, it aims to create a distinctive, instantly recognizable display voice that feels hand-shaped and fun.

Because interior openings are minimized, many characters rely on their outer silhouette for recognition, which increases the graphic impact but reduces clarity at smaller sizes. In the sample text, the heavy shapes pack tightly, forming dark, continuous word blocks with a distinctive, bubbly cadence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸