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Free for Commercial Use

Sans Rounded Tady 4 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Molsaq Latin' and 'Molsaq Pro' by Abjad, 'Rooney Sans' by Jan Fromm, 'Portilla Rounded Bold Sans Font' by Maulana Creative, and 'Cormac' by Typedepot (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, children’s, playful, friendly, chunky, retro, warmth, impact, approachability, nostalgia, rounded, soft, bubbly, compact, sturdy.


Free for commercial use
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A heavy, rounded sans with thick strokes and generously softened corners throughout. Counters are compact and often slightly squarish, giving the forms a dense, blocky silhouette while keeping an approachable softness at the terminals. The rhythm is wide and weighty in text, with simple, unmodulated construction and minimal stroke contrast; joins and curves are kept smooth and inflated rather than crisp. Figures and uppercase share the same bold, pillow-like presence, producing strong, even color in paragraphs and headlines.

Well-suited for attention-grabbing headlines, posters, and bold brand moments where a friendly, chunky voice is desired. It can work effectively on packaging and labels, especially when paired with simple layouts and ample spacing. For longer passages, it performs best in short blocks, pull quotes, or large-size settings where the tight counters remain clear.

The letterforms feel warm, upbeat, and slightly nostalgic, like hand-cut signage or toy-like display lettering translated into a clean digital style. Its rounded massing projects friendliness and humor, with an energetic tone that suits lighthearted messaging more than formal communication.

The design appears intended to deliver maximum impact with a soft, approachable personality—combining dense, bold forms with rounded terminals for a distinctly friendly display voice. It prioritizes immediate legibility and strong silhouette recognition over precision or formality.

Round dots and terminals, paired with tight internal spaces, make the design read best when given breathing room (larger sizes or a touch more tracking). The shapes emphasize solid fills and clear silhouettes over fine detail, helping the font maintain impact in short bursts of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸