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Hollow Other Alti 3 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Equines' by Attractype, 'Area51' by Comicraft, 'POLIGRA' by Machalski, 'Sharka' by PeGGO Fonts, 'Brodaers' by Trustha, and 'Bulltoad' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, retro, chunky, quirky, bold, high impact, visual texture, novelty display, retro flavor, rounded, soft corners, ink traps, stencil-like, cutout details.


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A compact, heavy display face built from thick, rounded forms with soft corners and slightly condensed proportions. The letters lean on simple geometric skeletons but are enlivened by irregular internal knockouts and small cut-in notches that create a hollowed, stencil-adjacent texture. Counters are generally small, terminals are blunt, and joins are tight, producing dense word shapes; the cutouts add sparkle and prevent large black areas from feeling flat. Numerals match the same blocky rhythm, with simplified silhouettes and occasional interior cut details for consistency.

Well-suited for posters, headlines, and brand marks where a bold, characterful silhouette is needed. It also fits packaging, labels, and playful merchandise graphics, particularly when used at medium-to-large sizes and with ample contrast against the background.

The overall tone is upbeat and attention-seeking, mixing a friendly, toy-like softness with a rugged, stamped texture. The irregular cutouts read as handmade or distressed, giving the font a casual, slightly mischievous character that feels at home in retro or novelty contexts.

The design appears intended to deliver maximum impact with friendly rounded geometry while using interior knockouts and notches to add personality and visual texture. It prioritizes distinctive display presence over neutral readability, aiming for a memorable, tactile look reminiscent of stamped or cut-letter forms.

At text sizes the knockouts can visually merge, so the design reads strongest when given room—especially in short lines where the chunky rhythm and internal cut details can be appreciated. The spacing feels even and sturdy, and the distinct cutout language provides recognizable texture across both uppercase and lowercase.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸