Sans Superellipse Afmad 5 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'FF DIN', 'FF DIN Arabic', 'FF DIN Paneuropean', 'FF DIN Paneuropean Variable', 'FF DIN Round', and 'FF DIN Stencil Variable' by FontFont and 'PF DIN Text', 'PF DIN Text Arabic', and 'PF DIN Text Universal' by Parachute (names referenced only for comparison).
Keywords: ui design, product design, editorial, signage, data display, clean, modern, neutral, friendly, technical, clarity, versatility, modernization, approachability, rounded, geometric, monoline, open apertures, soft terminals.
This typeface is a geometric sans with rounded-rectangle construction in its curves and bowls, producing smooth, superellipse-like forms. Strokes are largely monoline with minimal modulation, and terminals are clean and softly finished rather than sharply cut. Proportions feel balanced and straightforward, with open counters and generous interior space that keeps letters from closing up at text sizes. The overall rhythm is even and tidy, with consistent curve tension across round letters and stable, uncomplicated diagonals.
It suits interface and product typography where clarity and a neutral voice are needed, and it can also work well in editorial layouts for headings and short-to-medium text. The open shapes and even spacing make it a good candidate for wayfinding and signage, as well as dashboards and data-driven displays where consistent figures and clean forms matter.
The font reads as contemporary and unobtrusive, with a calm, practical tone. Its rounded geometry adds a mild friendliness without becoming playful, making it feel approachable while still precise and restrained.
The design appears intended as a versatile, modern sans that prioritizes legibility and visual consistency through rounded geometric construction. Its goal seems to be a dependable everyday typeface with a slightly softened, contemporary personality that remains professional across many contexts.
Round characters maintain a slightly squared, controlled curvature that gives the design a subtle engineered quality. The lowercase shows simple, unembellished constructions and clear differentiation, while numerals follow the same smooth, geometric logic for a cohesive alphanumeric set.