Sans Superellipse Femil 2 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Coastal' by Arkitype and 'FF Good' and 'FF Good Headline' by FontFont (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app headers, athletic, urgent, assertive, industrial, headline, space-saving impact, high visibility, modern utility, dynamic emphasis, condensed, forward-leaning, rounded, compact, blocky.
A condensed, forward-leaning sans with heavy, compact strokes and rounded-rectangle (superelliptic) curves. Counters are tight and openings are modest, giving the letterforms a dense, high-impact texture. Terminals are clean and largely flat, while curves in C, G, O, and S read as squared-off rounds rather than true circles, reinforcing a sturdy, engineered feel. The lowercase is compact with short ascenders/descenders relative to its large body size, and numerals are sturdy and tabular-looking in weight, with similarly rounded corners and firm joins.
Best suited to headlines, posters, and display settings where impact and compression are useful, such as sports branding, retail graphics, and packaging. It can also work for UI headers or short callouts where a compact, high-contrast-in-size (but not stroke-contrast) silhouette helps text stay bold and readable.
The overall tone is forceful and energetic, with a sporty, attention-grabbing slant that suggests motion and urgency. Its compact rhythm and chunky forms feel confident and utilitarian, leaning toward performance branding and punchy messaging rather than quiet editorial refinement.
The design appears intended to deliver maximum visual punch in limited horizontal space, combining compact proportions with rounded-rectangular curves for a modern, industrial clarity. The consistent weight and clean terminals prioritize uniformity and immediacy, making it feel built for bold messaging and branding applications.
In text, the dense spacing and tight counters create a strong gray value that holds together at large sizes, while the forward lean helps build momentum in long lines. Round letters retain a slightly squared silhouette, and diagonals (A, V, W, X, Y) appear crisp and structural, contributing to a robust, sign-like presence.