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Print Garor 1 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Cyclone' by Hoefler & Co., 'Enamel' by Reserves, 'Polate Soft' by Typesketchbook, and 'Ggx89' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, event promos, playful, handmade, retro, quirky, punchy, attention, handmade feel, space saving, informal voice, headline impact, condensed, rounded, blobby, irregular, poster-like.


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A compact, condensed display face with chunky, rounded strokes and softly squared terminals. The letterforms are tall and narrow with small counters and a slightly uneven, hand-drawn edge that gives the black shapes a lively, textured silhouette. Curves are simplified and sturdy, joins are blunt, and spacing is tight, creating a dense vertical rhythm that reads like bold cut-out or stamped lettering. Numerals and capitals follow the same blocky, compressed proportions for a consistent, heavy presence.

Best suited for short-to-medium headline copy where a bold, condensed look is needed—posters, packaging panels, stickers, menus, and social graphics. It also works well for playful branding accents and informal signage, especially when you want dense copy to occupy limited width while staying highly visible.

The overall tone feels playful and a bit mischievous, with a handmade energy that suggests informal signage and quirky headlines. Its narrow, towering forms and chunky weight create an assertive, attention-grabbing voice that can lean retro and cartoonish depending on context.

The font appears designed to deliver maximum impact with a friendly, hand-rendered character—combining condensed geometry with thick, rounded strokes to stay legible and expressive in display contexts. The subtle irregularities look intentional, aiming for a tactile, human-made feel rather than a polished geometric finish.

The design prioritizes impact over fine detail: small counters and heavy interiors can close up at very small sizes, while the irregular outlines become a distinctive feature at medium-to-large settings. The condensed proportions help fit long words into tight horizontal spaces without losing the bold, poster-like feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸