Sans Contrasted Opmi 3 is a regular weight, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, logotypes, packaging, futuristic, mechanical, architectural, techno, experimental, display impact, tech aesthetic, graphic contrast, geometric construction, monoline accents, rectilinear, squared, modular, sharp.
This typeface is built from rectilinear, modular forms with crisp right angles and squared terminals. Strokes alternate between heavy vertical stems and extremely thin hairline connectors, producing a stark light–dark rhythm and a distinctly constructed feel. Counters are often boxy and sometimes partially open, with occasional inset “inner frame” lines that emphasize structure over softness. Diagonals (notably in K, V, W, X, Y) appear as thin, taut strokes contrasted against heavier uprights, reinforcing the engineered, grid-forward geometry.
Best suited to display settings such as headlines, posters, title treatments, and brand marks where its high-contrast, techno geometry can take center stage. It can also work for packaging and editorial pull quotes when set large with generous tracking, allowing the hairlines and angular detailing to remain legible.
The overall tone feels futuristic and mechanical, like lettering drawn from schematics or electronic panels. Its rigid geometry and sharp contrast create a deliberate, high-tech tension that reads as edgy and experimental rather than neutral. The design projects precision and a slightly dystopian, cyber-inspired attitude.
The design appears intended to fuse a sans-serif skeleton with a constructed, grid-based aesthetic, using extreme stroke contrast and squared counters to create a distinctive, futuristic voice. It prioritizes graphic impact and structural character over conventional text neutrality.
Spacing and shapes create a chiseled, angular word texture, with many letters relying on strong verticals and minimal curves. The thin hairlines can become visually delicate next to the dense stems, so the face tends to look best when given room and used at sizes where the fine strokes remain clear.