Sans Other Modu 4 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Linotte' by JCFonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, titles, industrial, stenciled, playful, futuristic, posterish, visual impact, stencil motif, brandable display, graphic texture, retro futurism, rounded, modular, cutout, soft corners, chunky.
A heavy, rounded sans with a modular, cut-out construction. Strokes are thick and smoothly curved, with softened terminals and generous counters that keep forms open at display sizes. Many glyphs feature narrow vertical or horizontal gaps that read like stencil bridges or inlaid slits, creating a distinctive segmented rhythm across the alphabet. Overall proportions feel broad and steady, with compact interior joins and simplified, geometric-like silhouettes.
Best suited for short, high-impact settings such as headlines, posters, cover art, product packaging, and logo/wordmark work where the stencil-like cutouts can be appreciated. It also works well for titles and display typography in entertainment or tech-adjacent themes where a playful industrial voice is desired.
The segmented cutouts give the face an industrial stencil flavor while the rounded geometry keeps it friendly and approachable. It suggests a retro-futuristic, game or toy-like tone—bold and attention-grabbing without feeling sharp or aggressive. The repeated slit motif adds a quirky, engineered personality that reads as designed and decorative.
The design appears intended to deliver maximum presence with a distinctive stencil/cutout motif, combining rounded, friendly forms with an engineered segmentation for instant recognizability. It prioritizes graphic texture and brandable shapes over neutrality, aiming for memorable display typography.
The slit/bridge detailing is prominent in both uppercase and lowercase, producing a strong texture in lines of text and a high-impact black shape in headlines. The digit set follows the same cut-out logic, reinforcing a cohesive, sign-like system. In running text the internal gaps become a key identifying feature, so spacing and size will strongly affect how the pattern reads.