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Sans Superellipse Omdup 5 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Helvegen' by Ironbird Creative, 'Black River' by Larin Type Co, 'Goldana' by Seventh Imperium, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, ui labels, industrial, technical, modern, utilitarian, compact, space saving, high impact, systematic, clarity, squared-round, condensed, geometric, sturdy, high-contrast spacing.


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A condensed, heavy sans with squared-round construction: curves resolve into rounded-rectangle bowls and terminals, and straight strokes dominate the skeleton. Strokes are consistently thick with little modulation, producing dense, blocky silhouettes and strong vertical emphasis. Counters are relatively small and apertures tend toward closed, while shoulders and bowls stay tightly controlled for a compact rhythm. The lowercase uses simple, sturdy forms with short extenders and a flat-topped, single-storey feel where applicable, keeping word shapes tight and efficient.

Best suited to headlines, short statements, and labeling where vertical space is limited and bold presence is needed. It performs well for signage-style applications, packaging panels, interfaces, and dashboards where compact, high-impact text improves scanability. For long reading, larger sizes or generous tracking will help mitigate the dense texture.

The overall tone is pragmatic and assertive—more industrial than friendly—conveying a no-nonsense, engineered character. Its compact width and firm geometry read as contemporary and functional, with a slightly signage-like clarity that favors impact over softness.

The design appears intended as a space-saving, high-impact workhorse sans that stays disciplined and geometric while remaining approachable through softened corners. It prioritizes consistent, repeatable shapes and strong presence for contemporary branding and information-heavy environments.

Rounded corners prevent the heavy weight from feeling overly harsh, but the tight counters and condensed proportions make the texture dark in paragraphs. The design maintains a consistent, systematized feel across letters and figures, supporting uniformity in display settings where space is limited.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸