Script Lave 2 is a very light, normal width, high contrast, italic, short x-height font.
Keywords: invitations, wedding, branding, logo, packaging, elegant, ornate, romantic, refined, vintage, formal tone, decorative caps, signature feel, classic charm, flourished, swashy, calligraphic, delicate, looping.
A delicate formal script with pronounced stroke contrast and a consistent rightward slant. Letterforms are built from fine hairlines and sharper, tapered terminals, with generous loops and occasional entry/exit swashes that create a flowing rhythm. Capitals are highly embellished with curled bowls and extended flourishes, while the lowercase is slimmer and more streamlined, sitting on a relatively low x-height with long ascenders and descenders. Spacing is airy, and several forms (notably the capitals and some lowercase with long tails) occupy noticeably more horizontal space, emphasizing a graceful, variable cadence.
This font is well suited for invitations, wedding suites, certificates, and event collateral where decorative capitals can take center stage. It also works for boutique branding, product packaging, and logo-style wordmarks—especially in short phrases or names—where the refined contrast and flourishes can be appreciated without crowding.
The overall tone is polished and ceremonial, evoking classic stationery and formal invitations. Its ornate capitals and silky motion feel romantic and slightly vintage, suited to moments where sophistication and flourish are more important than strict neutrality or utilitarian clarity.
The design appears intended to deliver an elegant, calligraphy-inspired signature look with showpiece capitals and a smooth, continuous writing feel. Its restrained lowercase paired with highly ornamented uppercase suggests a balance between readability in words and expressive flair at the start of lines or names.
The numeral set and lowercase are comparatively restrained, but the design’s visual focus is clearly on the expressive capitals and their decorative curls. Fine internal counters and thin connecting strokes suggest it will look best when given enough size and breathing room, especially in lines that include many swash-heavy letters.