Font Hero

Free for Commercial Use

Stencil Gyfe 12 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Resiliency3' by Alphabet Agency and 'Godiva' by Suby Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, military, technical, utilitarian, retro, stencil marking, impact display, machine-cut feel, space economy, angular, condensed, monoline, octagonal, segmented.


Free for commercial use
Customize the font name

A condensed, monoline display face built from straight verticals and chamfered corners, giving many forms an octagonal, cut-metal silhouette. Strokes are interrupted by consistent stencil bridges that create small internal gaps and notches, especially visible in curves and diagonals. Counters tend to be narrow and rectangular, terminals are blunt, and round shapes resolve into faceted arcs rather than true curves. Spacing is fairly tight and the rhythm is vertical and mechanical, with a tall, economical footprint across both uppercase and lowercase.

Well-suited to posters, headlines, and branding that wants an industrial or tactical flavor, as well as packaging, labels, and wayfinding where a stenciled, fabricated look reinforces the message. It can also work for short UI headings or section markers when a technical, stamped aesthetic is desired.

The overall tone is industrial and regimented, evoking labeling, equipment markings, and engineered signage. Its sharp facets and stencil breaks add a rugged, no-nonsense character that reads as functional and assertive rather than decorative or friendly.

The design appears intended to mimic stenciled, machine-cut lettering with consistent bridges and chamfered geometry, prioritizing a robust, constructed texture over smooth curves. Its condensed proportions and strong vertical cadence suggest an emphasis on space-efficient impact for display applications.

Numerals and capitals feel particularly strong and uniform, while the lowercase maintains the same segmented construction, keeping texture consistent in longer lines. The repeated chamfers and bridge placements create a distinctive pattern at text sizes, so the design reads best where its cut-and-bridged details can be seen clearly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸