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Stencil Gyny 7 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Cord Nuvo' by Designova, 'Highman' by Eko Bimantara, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Grand' by North Type, 'Headpen' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, military, authoritative, utilitarian, retro, space-saving impact, stencil marking, rugged display, graphic presence, condensed, blocky, angular, monolinear, stenciled.


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A condensed, heavy display face built from blocky, angular forms with consistent, low-contrast stroke weight. The design uses clear stencil breaks at corners and joins, creating small bridges and notches that carve the counters into faceted shapes. Terminals are mostly flat and squared, with a tall, vertical emphasis and a tight rhythm that keeps letters compact while maintaining strong presence. Numerals and capitals follow the same geometric logic, producing a uniform, hard-edged texture in lines of text.

Best suited to short, high-impact settings such as posters, headlines, title cards, packaging, and product labeling where the stencil detailing can be appreciated. It can also work for bold signage or wayfinding-style graphics, especially in themes that call for an industrial or regimented voice.

The overall tone is assertive and utilitarian, with an industrial, military-adjacent feel driven by the stencil interruptions and rigid geometry. It reads as functional and directive, evoking labeling, equipment marking, and signage where toughness and clarity are prioritized over refinement.

The design appears intended to deliver maximum impact in tight horizontal space while signaling a rugged, functional character. Its structured stencil breaks and squared construction suggest a purposeful nod to marking systems and display typography built for strong, unmistakable identification.

The stencil cuts are frequent but disciplined, typically appearing as small diagonal or rectangular gaps that preserve structure while adding visual grit. Curves are minimized into chamfered arcs, giving rounded letters a faceted silhouette and helping the font maintain a consistent, engineered look across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸