Stencil Upvy 1 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Prathabsorn' by Jipatype (names referenced only for comparison).
Keywords: headlines, posters, branding, sports graphics, tech packaging, futuristic, technical, dynamic, industrial, sporty, distinctiveness, modernity, speed, tech aesthetic, display impact, slanted, aerodynamic, geometric, segmented, clean.
A slanted, geometric sans with segmented, stencil-like interruptions that create crisp bridges through bowls and stems. The letterforms feel open and spacious, with generous horizontal proportions and smooth, rounded curves paired with straight, angled terminals. Strokes remain largely even, while the recurring breaks introduce a rhythmic, modular texture across the alphabet and figures. Numerals and capitals are especially graphic, with cut points placed to preserve clear silhouettes at display sizes.
This design is best suited to short-form, high-impact settings such as headlines, poster typography, brand marks, UI banners, and product or packaging graphics where the segmented detailing can be appreciated. It can also work for titling in sci‑fi or tech-themed media, and for sporty or industrial identity systems that benefit from a fast, engineered look.
The overall tone is futuristic and technical, evoking engineered surfaces, equipment labeling, and modern motion. Its slant and broken strokes add speed and energy, giving text a purposeful, performance-oriented feel rather than a casual or literary one.
The font appears designed to merge a sleek italicized sans structure with a deliberate stencil segmentation, creating a modern, high-visibility display face with a signature cut-and-bridge motif. The aim seems to be strong recognizability and a technical aesthetic while keeping forms straightforward and readable at larger sizes.
The stencil bridges are consistently integrated into both uppercase and lowercase, producing a distinctive pattern in continuous text. Round characters (like O/Q/0 and C/G) read with strong, clean arcs, while diagonals (A/V/W/X/Y) emphasize the font’s forward-leaning, kinetic character.