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Free for Commercial Use

Sans Other Komaz 7 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Harmonia Sans' and 'Harmonia Sans Paneuropean' by Monotype, 'Clear Sans Text' by Positype, and 'Soleil' by TypeTogether (names referenced only for comparison).

Keywords: headlines, branding, posters, sports graphics, tech ui, techy, editorial, futuristic, sporty, sharp, distinctive branding, speed cue, tech styling, modernization, slanted, incised, stencil-like, segmented, angular.


Free for commercial use
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A slanted sans with clean, low-contrast strokes and a forward-leaning rhythm. Many glyphs feature deliberate cut-in segments—especially visible in round forms and counters—creating an incised, almost stencil-like interruption through bowls and curves. Terminals are generally crisp and geometric, with a mix of rounded and angled joins that keeps the texture lively without becoming decorative. Figures and capitals read solid and compact, while the overall spacing and silhouettes prioritize a sleek, engineered look.

Best suited for display roles such as headlines, logos, product branding, posters, and campaign graphics where the segmented forms can be appreciated. It can also work for short UI labels or tech-themed interfaces when you want a distinctive, fast, engineered voice, but it’s most impactful in larger sizes and brief passages.

The segmented cuts and italic motion give the font a contemporary, technical tone, suggesting speed and precision. It feels modern and slightly industrial, with a controlled edginess suited to branding that wants to look engineered rather than friendly.

The design appears intended to modernize a neutral sans base by adding a consistent system of internal cuts and a strong italic slant, yielding a distinctive, high-energy texture. The goal seems to be instant recognizability and a futuristic, performance-oriented feel without relying on high contrast or ornament.

The recurring internal breaks act as a strong signature motif and will become more pronounced as sizes increase, where the “sliced” counters in letters like O/Q and similar shapes read as intentional design rather than incidental detail. The diagonal energy is consistent across caps, lowercase, and numerals, helping mixed-case settings maintain momentum.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸