Sans Normal Godaf 4 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'FS Albert Paneuropean' by Fontsmith; 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'Interval Next' by Mostardesign; 'Core Sans NR' by S-Core; and 'Depot New Condensed' by moretype (names referenced only for comparison).
Keywords: ui labels, headlines, captions, dashboards, posters, clean, modern, technical, efficient, sporty, space saving, modern clarity, forward motion, functional branding, oblique, compact, rounded, monoline, open apertures.
This typeface is an oblique sans with compact proportions and a monoline, low-contrast stroke. Curves are built from smooth, rounded geometry, with open bowls and clear counters that keep letters from clogging. Terminals are mostly plain and gently softened rather than sharply cut, and the overall rhythm is steady with straightforward, utilitarian construction. Numerals follow the same clean, slanted logic, with simple forms and consistent stroke weight.
It suits interface labels, navigation, and data-heavy layouts where a compact footprint is helpful, as well as concise headlines and subheads that benefit from a sense of motion. The clean construction also works well for captions, packaging callouts, and contemporary signage where quick recognition matters.
The overall tone is contemporary and pragmatic, reading as fast, streamlined, and slightly sporty due to the consistent slant and condensed feel. It communicates clarity and motion without becoming flashy, making it feel workmanlike and modern rather than expressive or decorative.
The design appears intended as a utilitarian oblique sans that balances space-saving proportions with straightforward legibility. Its restrained geometry and consistent stroke behavior suggest a focus on modern branding and functional text setting in compact layouts.
The oblique angle is applied consistently across capitals, lowercase, and figures, helping headings and short lines feel dynamic. Round letters (like O and Q) appear evenly drawn and stable, while diagonals (like V, W, X, and Y) reinforce the font’s forward-leaning momentum.