Outline Tyna 2 is a light, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, posters, logotypes, sports branding, packaging, retro, sporty, dynamic, technical, sleek, display impact, speed emphasis, retro styling, graphic texture, branding focus, inline, oblique, condensed feel, rounded corners, monoline.
An oblique, outline display face built from monoline contours with a consistent inner inline that creates a hollow, double-line impression. Letterforms are tall and slightly narrow in stance, with rounded outer corners and squared terminals that keep the geometry crisp. Curves (C, G, O, Q, S) are smooth and evenly tensioned, while stems and bowls maintain steady spacing between the outer contour and the inner line, giving the set a clean, engineered rhythm. Numerals follow the same italic slant and inline-outline construction, with open counters and compact, sign-like silhouettes.
Best suited to headlines, poster typography, and logo/wordmark work where the outlined, inline construction can stay crisp and legible. It also fits sports branding, product packaging, and event graphics that benefit from a fast, streamlined aesthetic. Use generous size and contrast against the background to preserve the interior spacing and outline clarity.
The overall tone reads energetic and retro-futurist, evoking motorsport graphics, athletic titling, and streamlined industrial design. Its slanted posture and hollow construction add speed and flash without feeling heavy, producing a confident, performance-minded voice.
The design appears intended as a display-oriented, speed-inflected outline italic that delivers strong visual character through parallel contours and a consistent oblique angle. Its goal is to provide a distinctive, retro-technical look that stands out in short phrases and titles while maintaining a controlled, systematic build.
The inline detail is integral rather than decorative, so the face tends to read as a single system of parallel strokes across both straight and curved forms. In longer text, the outline structure emphasizes pattern and texture over continuous reading flow, while at larger sizes it highlights the distinctive double-line construction.