Sans Normal Anraw 4 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Gotham' by Hoefler & Co., 'Clear Sans Text' by Positype, 'Neue Reman Gt' and 'Neue Reman Sans' by Propertype, and 'Pln Hyeonbatang' by Ziwoosoft (names referenced only for comparison).
Keywords: ui text, product design, web typography, signage, presentations, clean, modern, neutral, friendly, pragmatic, clarity, versatility, modern utility, systematic design, geometric, open apertures, rounded forms, high legibility, crisp terminals.
This sans serif shows a clean, geometric foundation with near-uniform stroke weight and smoothly rounded curves. Capitals are proportioned with simple, confident shapes—round letters like C, G, O, and Q read as close to circular, while straight-sided forms (E, F, H, N) keep a crisp, engineered feel. Lowercase construction stays straightforward and readable, with open counters, uncluttered joins, and a single-storey “g”; the overall rhythm is even and the spacing appears balanced for continuous text. Numerals are clear and sturdy, matching the letterforms’ simple geometry and consistent stroke behavior.
It suits interface typography and digital product work where clear forms and steady rhythm support scanning and readability. The straightforward geometry also performs well in branding systems, presentations, and signage that need a modern, unobtrusive voice without decorative distraction.
The tone is contemporary and neutral, projecting clarity over personality. Its geometric calm and tidy detailing feel professional and dependable, with a slightly friendly edge from the rounded bowls and open shapes.
The design appears intended as a versatile, general-purpose sans with geometric discipline and high clarity in both display and paragraph settings. Its restrained detailing suggests an emphasis on neutrality and consistency across letters and numbers for broad everyday use.
Distinctive cues include the single-storey “g” and a “Q” with a clean, short tail that stays integrated with the round bowl. The “a” appears single-storey with a compact, open counter, and terminals generally end in crisp, straight cuts rather than flares or calligraphic modulation.