Inline Agry 9 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, book covers, album art, game titles, gothic, medieval, occult, dramatic, vintage, historic mood, engraved effect, dramatic display, fantasy branding, engraved, spurred, angular, faceted, blackletter-leaning.
This typeface is built from angular, faceted letterforms with sharp spurs and pointed terminals that recall carved or stamped lettering. Strokes are predominantly straight with abrupt direction changes, and counters often appear squarish or rectangular rather than round. A thin internal cut running through the main strokes creates an engraved, inline effect that adds texture without changing the overall silhouette. Capitals are tall and assertive with compact bowls and notched joins, while lowercase maintains a similarly rigid construction with narrow apertures and a rhythmic, vertical emphasis.
Best suited to display settings where the engraved inline detail can be appreciated, such as headlines, posters, packaging, book and film titling, and album or game cover typography. It can also work for short brand marks or section headers when a gothic, crafted mood is desired, but it is less ideal for long text passages at small sizes due to the dense texture and angular forms.
The overall tone is gothic and ceremonial, evoking medieval signage, fantasy titles, and old-world print ephemera. The inline detailing reads like metal engraving or woodcut tooling, lending a slightly ominous, occult-leaning atmosphere. It feels theatrical and bold in voice even at moderate sizes, with a distinctly historic, crafted character.
The design appears intended to reinterpret gothic/medieval letterforms in a crisp, geometric way, using an internal carved line to suggest engraving and add visual depth. Its consistent spurs and notched corners aim to deliver a strong period mood while keeping outlines clean and repeatable for modern display typography.
The design relies on consistent spur motifs and corner notches to create a cohesive texture across letters and numerals. The inline carving is steady and centrally placed, producing a subtle highlight that becomes more pronounced at display sizes. Diagonals (such as in V, W, X, and Z) are steep and blade-like, reinforcing the cut, chiseled aesthetic.