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Inline Ildo 5 is a bold, narrow, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, album art, game titles, gothic, industrial, occult, dramatic, vintage, impact, engraved look, dark theme, vertical emphasis, decorative texture, angular, blackletter-inspired, chiseled, stenciled, ornamental.


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A condensed, angular display face built from straight segments and sharp corners, with a consistent inline cut that carves through the black strokes to create a hollowed, engraved look. Stems are heavy and mostly vertical, terminals tend to end in blunt, squared forms, and bowls/counters are compact and geometric rather than round. The inline detailing is typically centered within strokes and remains fairly even across the alphabet, giving the texture a mechanical, machined rhythm. Uppercase forms feel tall and rigid, while the lowercase keeps similarly narrow proportions with simplified, boxy construction; numerals follow the same faceted, monolinear geometry.

Well suited to posters, titles, and packaging where a dense, high-impact texture is desirable. It can also work for logos and wordmarks that want an engraved or carved aesthetic, and for entertainment contexts such as game titles, album covers, and haunted or fantasy-themed graphics. Use at display sizes to preserve the inline detail and avoid filling-in.

The overall tone reads dark and theatrical, blending blackletter-era severity with a more modern, fabricated edge. The inline carving adds a metallic, inscribed quality that can feel spooky, arcane, or industrial depending on context. Its tight, vertical rhythm and sharp joins create a commanding, slightly ominous presence.

The font appears designed to deliver maximum presence in a condensed footprint, using an inline engraving to add depth and ornament without introducing curves or flourishes. Its disciplined geometry and consistent cutlines suggest an intention to evoke carved signage and dark, blackletter-adjacent atmosphere while remaining clean and structurally modern.

The design’s strong internal striping means it performs best when given enough size and contrast for the inline gaps to stay open. The condensed set width and dense texture can build a striking pattern in headlines, but extended text may feel visually busy due to the frequent interior cuts and angular counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸