Sans Faceted Lyga 11 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Rigid Square' by Dharma Type, 'Gemsbuck Pro' by Studio Fat Cat, and 'Sweet Square' and 'Sweet Square Pro' by Sweet (names referenced only for comparison).
Keywords: headlines, posters, logos, ui display, packaging, techno, industrial, futuristic, gaming, utilitarian, technical tone, geometric construction, digital display, industrial branding, sci‑fi styling, octagonal, chamfered, angular, geometric, mechanical.
This typeface is built from straight strokes with consistent weight and abrupt chamfered corners that replace curves with planar facets. Counters and bowls resolve into octagonal and rectangular shapes, producing a crisp, engineered silhouette across both cases and numerals. Terminals are square and clean, with minimal modulation and a steady rhythm that keeps letterforms compact and sturdy. The lowercase follows the same geometric logic, with simplified forms and sharp joints that maintain a cohesive, hard-edged texture in text.
Best suited to display settings where its faceted geometry can read clearly—headlines, posters, brand marks, and product or packaging graphics. It also fits interface titles, HUD-style labels, and game/tech visuals where a hard, engineered voice is desired. For extended small-size text, the angular shapes may feel insistent, so it tends to perform better from medium to large sizes.
The overall tone feels technical and machine-made, with a distinctly modern, sci‑fi edge. Its sharp facets and clipped corners suggest precision, hardware interfaces, and industrial labeling rather than warmth or calligraphy. The result is bold and assertive without relying on contrast or ornament.
The design appears intended to translate sans-serif forms into a planar, chamfered system that evokes manufactured parts and digital hardware. By keeping stroke weight even and curves minimized, it prioritizes a futuristic, technical impression and consistent, modular construction across the character set.
The design leans heavily on chamfers, so round characters (like O, C, and G) read as polygonal, reinforcing a modular, constructed look. In the sample text, the uniform stroke and angular counters create a pronounced, slightly pixel-adjacent texture that stays orderly at larger sizes.