Sans Faceted Myhu 5 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'QB One' by BoxTube Labs, 'Mercurial' and 'Midsole' by Grype, 'Retro 86' by Parker Creative, and 'Obvia Wide' by Typefolio (names referenced only for comparison).
Keywords: headlines, logos, posters, gaming, sports branding, industrial, sci‑fi, tech, sporty, assertive, impact, precision, modernity, mechanical feel, signage look, angular, faceted, blocky, octagonal, stencil‑like.
A compact, heavy sans built from straight segments and clipped corners, replacing curves with planar facets. Counters tend toward octagonal forms, and terminals finish as crisp diagonals rather than rounded ends. The strokes are uniform and sturdy, with a slightly squared, engineered rhythm; proportions read broad and stable, and the overall texture is dark and even in running text. Numerals and capitals emphasize geometric construction, while the lowercase maintains a pragmatic, boxy structure with short apertures and tight internal spaces.
Best suited to display settings such as headlines, branding, and poster typography where the angular construction can carry personality. It also fits UI titles, game graphics, and sports or esports systems that benefit from a strong, technical voice. In longer passages, it works most comfortably as short blocks or callouts rather than dense body copy.
The faceted geometry and hard terminals give the face an industrial, futuristic tone—confident, mechanical, and a bit game-like. Its sharp silhouettes feel energetic and tactical, suggesting equipment markings, digital interfaces, or modern sports identity rather than editorial warmth.
The letterforms appear designed to translate a geometric, beveled aesthetic into a functional sans for impactful display use. The consistent chamfering and straight-edge construction suggest an intention to evoke precision, machinery, and modern modular design while staying legible in bold, high-contrast layouts.
The design’s repeated chamfers create a consistent ‘cut metal’ motif across letters and figures, helping words hold a distinctive silhouette at larger sizes. Because many shapes rely on tight counters and squared apertures, it reads most clearly when given adequate size, tracking, or contrast against the background.