Sans Superellipse Kybab 10 is a bold, very wide, medium contrast, upright, normal x-height font.
Keywords: display, headlines, logotypes, branding, posters, futuristic, tech, modular, geometric, industrial, tech branding, sci‑fi styling, systemic cohesion, signage impact, rounded corners, squared curves, monoline, cornered terminals, rectilinear.
A geometric sans built from rounded-rectangle geometry, with largely monoline strokes and consistently softened corners. Curves resolve into squared, superelliptical arcs, creating boxy bowls and counters that stay open and rectangular rather than circular. Terminals are clean and mostly horizontal/vertical, with occasional angled joins on letters like K, V, W, X, and Z, reinforcing a constructed, modular feel. Uppercase forms are compact and schematic, while lowercase echoes the same squarish curves and short apertures; numerals follow the same rounded-rect framework for a unified, UI-like rhythm.
Best suited for display settings where its constructed geometry can be appreciated—headlines, wordmarks, posters, product branding, and tech or gaming-themed graphics. It also fits interface-style titling and labels when you want a futuristic, device-like voice rather than a neutral text workhorse.
The overall tone is distinctly futuristic and engineered, evoking digital interfaces, sci‑fi signage, and hardware labeling. Its squared curves and systematic rounding read as precise and technical, with a confident, machine-made character that feels modern rather than friendly or calligraphic.
The font appears designed to deliver a sleek, systematized sci‑fi/tech aesthetic by translating traditional letter structures into rounded-rectangle modules. The consistent corner rounding and rectilinear counters suggest an intention to feel engineered, legible at large sizes, and visually cohesive across letters and numerals.
The design leans on rectangular counters and clipped-looking curves, which heightens its modular personality and keeps texture even across lines. The tight, geometric construction can make similar shapes feel intentionally uniform, emphasizing system and consistency over expressiveness.