Sans Faceted Vata 2 is a bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Avionic' by Grype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming ui, tech packaging, techno, industrial, futuristic, sporty, utilitarian, display impact, tech aesthetic, industrial signage, brand presence, octagonal, chamfered, angular, compact counters, squared forms.
A heavy, geometric sans built from squared silhouettes and clipped corners, replacing curves with planar facets. Strokes stay broadly consistent, with crisp orthogonal joins and occasional diagonal cuts that create an octagonal, machined outline. Counters are mostly rectangular with softened (chamfered) corners, producing tight internal space in letters like O, D, and P. Uppercase forms are wide and stable, while lowercase follows the same blocky construction with simplified bowls and terminals; round letters (a, e, s) read as segmented, angular approximations. Numerals match the same modular, cut-corner logic, with clear, sturdy shapes designed for impact at display sizes.
Best suited to short, high-impact text such as headlines, posters, logos, team or esports identities, and tech-forward packaging. It also works for UI labels and interface graphics where an industrial, futuristic voice is desired, especially when set with generous tracking or at larger sizes.
The overall tone is technical and engineered, evoking hardware labeling, sci‑fi interfaces, and performance branding. Its faceted geometry and sturdy weight feel assertive and pragmatic, leaning more toward industrial clarity than warmth or elegance.
The design appears intended to deliver a bold, modern voice through a modular, faceted construction that reads as precise and manufactured. By translating curves into clipped planes and keeping forms broad and stable, it prioritizes strong silhouettes and a distinctly technical personality for display-led typography.
Diagonal facets are used sparingly but strategically to suggest curvature (notably in C/G/S and the diagonals of V/W/X/Y), creating a consistent “machined” rhythm across the set. The straight-sided construction can make some characters appear similar at small sizes, but the strong silhouette differences and open joins help maintain recognition in headlines and signage-like settings.