Sans Contrasted Kibo 1 is a regular weight, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, branding, titles, futuristic, space-age, techno, experimental, graphic, futurism, distinctiveness, system motif, display impact, tech aesthetic, monoline hairlines, cut-in counters, geometric, stencil-like, modular.
A geometric sans with dramatic contrast between heavy curved strokes and extremely thin vertical/horizontal hairlines. Many letters use a recurring horizontal cut-in or “slot” across the bowl (notably in C, G, O, e, g, and numerals), creating a stencil-like, segmented counter treatment. Bowls are near-circular, joins are clean and crisp, and terminals are mostly straight-cut; several characters mix solid masses with isolated hairline stems (as in h, n, r, t), producing a deliberate variable-stroke rhythm across the alphabet. Uppercase proportions read wide and display-oriented, while lowercase forms stay compact with simple, single-storey constructions and minimal detailing.
Best suited to display applications where the segmented counters and high-contrast construction can be appreciated: headlines, posters, event graphics, album/film titles, and logotypes. It can also work for short UI labels or tech-themed packaging when set large with generous spacing; long-form text is likely to feel visually busy due to the recurring cut-ins and hairline elements.
The repeated midline slits and stark thick–thin interplay give the face a space-age, instrument-panel feel—stylish, slightly retro-futurist, and intentionally unconventional. It reads as modern and technical rather than neutral, with a strong graphic personality that prioritizes visual impact over invisibility.
The design appears intended to deliver a distinctive, futuristic geometric voice by combining near-monoline hairlines with heavy bowls and consistent midline counter cuts. The repeating motif across multiple glyphs suggests a system-driven approach aimed at memorable branding and impactful display typography.
The distinctive midline openings can reduce legibility at small sizes, especially where the cut aligns with the reading band (e.g., C/G/O/e). Numerals and capitals appear especially suited to bold, logo-like settings thanks to their large solid areas and clean geometry.