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Free for Commercial Use

Sans Contrasted Jiny 7 is a bold, wide, very high contrast, upright, normal x-height font.

Keywords: headlines, editorial, posters, branding, logotypes, fashion, dramatic, modernist, luxury, display impact, art direction, graphic contrast, statement headlines, stencil-like, monoline hairlines, geometric, crisp, high-waisted.


Free for commercial use
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A sharply contrasted display face built from hefty, rectangular stems paired with extremely thin hairlines that often act like internal cut lines or construction strokes. Many letters read as partially “split” into black masses and fine-outline contours, creating a stencil-like, modular feel with circular and semi-circular bowls. Counters tend to be large and clean, while joins and terminals stay crisp and planar, emphasizing verticality and strong silhouette over continuous stroke flow. The overall rhythm alternates between dense black blocks and delicate connecting lines, producing a graphic, poster-forward texture in words and numbers.

This font is best suited to large-size settings where its hairline details remain visible—magazine headlines, fashion spreads, posters, title cards, and brand marks. It also works well for short phrases, packaging callouts, and striking typographic compositions where contrast and negative space are part of the layout.

The tone is stylish and theatrical, with a fashion/editorial confidence and a slightly experimental, art-directed edge. Its bold black shapes feel assertive and contemporary, while the hairline details add elegance and tension, giving headlines a curated, high-end atmosphere.

The design appears intended to deliver maximum visual impact through contrast and modular construction, blending bold sans silhouettes with delicate internal linework for an art-directed, contemporary display look. It prioritizes distinctive shapes and graphic texture in words, aiming to stand out in branding and editorial contexts.

The thin internal lines are visually integral to the design and create distinctive letter identities, but they can become the first details to fade at smaller sizes or on low-resolution output. Round characters (like O/C/Q) and figures lean into strong geometric construction, and punctuation appears intentionally prominent, reinforcing a punchy, display-oriented voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸