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Free for Commercial Use

Serif Contrasted Offa 3 is a bold, very wide, very high contrast, italic, normal x-height font.

Keywords: headlines, posters, editorial, branding, packaging, dramatic, fashion, theatrical, vintage, ornate, expressiveness, luxury, attention, ornamentation, editorial impact, swashy, calligraphic, sharp, engraved, curly.


Free for commercial use
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This typeface is a right-leaning, high-contrast serif with a distinctly calligraphic construction and a glossy, engraved feel. Strokes swing between thick, sculpted mains and hairline connections, with teardrop terminals and small, sharp serif cues that often behave like flicked pen exits rather than rigid slabs. Many letters feature internal cut-ins and curled spur shapes that create a lively, almost ribbon-like texture, especially in round forms (C, G, O, Q and their lowercase counterparts). The rhythm is wide and generously spaced, with energetic diagonals and pronounced entry/exit strokes that make the line read as a continuous, stylized script-like serif rather than a quiet book face.

Best suited for display settings such as headlines, posters, fashion or culture editorials, boutique branding, and premium packaging where its contrast and flourish can be appreciated. It can also work for short pull quotes or event materials, especially when set with comfortable spacing and enough size to preserve the hairline detail.

The overall tone is flamboyant and showy, projecting a sense of luxury and spectacle. Its sharp contrast and swashed details evoke classic display typography—part fashion editorial, part vintage signage—where flourish and attitude matter as much as legibility. The texture feels animated and slightly mischievous, with curls and cut-ins adding drama to every word.

The design appears intended to deliver a bold, attention-grabbing serif with calligraphic flair, combining classic high-contrast structure with ornamental terminals for maximum personality. Its wide stance and swashy detailing suggest a focus on expressive branding and headline typography rather than long-form reading.

Uppercase forms come across as more formal and emblematic, while the lowercase introduces more pronounced curls and ball/teardrop terminals, increasing the decorative cadence in running text. Numerals are similarly stylized, with curving terminals and internal shaping that keeps the set consistent with the letterforms. The strong slant and frequent finishing strokes make tight tracking and small sizes more prone to visual congestion, while larger sizes showcase the hairlines and detailing cleanly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸