Sans Other Obsy 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Retrofunk' by Hendra Pratama and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, industrial, arcade, techno, brutalist, assertive, impact, retro tech, constructed forms, signage, square, angular, stencil-like, compact, modular.
A heavy, square-constructed sans with a strongly modular, rectilinear build. Strokes are thick and mostly uniform, with sharp corners, flat terminals, and frequent stepped or chamfered cuts that create a pixel-meets-stencil feel. Counters tend toward boxy apertures (often near-rectangular), and many forms rely on straight segments rather than curves, producing a compact, mechanical rhythm. Numerals and capitals share a consistent block geometry, while punctuation and small details (like the i/j dots) echo the squared theme.
Well-suited to bold headlines, poster typography, logotypes, and branding that wants a hard-edged, techno-industrial voice. It also fits game interfaces, streaming overlays, and product/packaging graphics where a chunky, modular wordshape improves impact.
The overall tone is forceful and utilitarian, evoking industrial labeling, arcade UI, and retro-tech graphics. Its rigid geometry and cut-in notches add a rugged, engineered character that feels confident and slightly aggressive.
The font appears designed to deliver maximum visual punch through blocky geometry and engineered cut-ins, prioritizing a distinctive, constructed silhouette. Its letterforms suggest an intent to reference digital-era and industrial signage aesthetics while remaining readable in short bursts.
The design reads best at display sizes where the interior cutouts and stepped joins remain clear; in dense settings, the tight counters and uniform mass can visually merge. The construction is intentionally idiosyncratic, emphasizing iconic silhouettes over smooth text flow.