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Sans Normal Isbo 5 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Dean Gothic' by Blaze Type, 'Miura' by DSType, 'Muller Next' by Fontfabric, 'JHC Mirko' by Jehoo Creative, 'Otoiwo Grotesk' by Pepper Type, 'Radiate Sans' by Studio Sun, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, sporty, playful, retro, punchy, friendly, attention, impact, warmth, retro energy, display clarity, rounded, compact joints, ink-trap feel, arched terminals, high-impact.


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A heavy, rounded sans with broad proportions and a distinctly sculpted, cut-in construction. Strokes are thick and mostly monolinear, with softened corners and frequent concave notches at joins that create an ink-trap-like, chiseled look. Curves are built from full, geometric bowls, while many straight strokes end in subtly arched or tapered terminals that add motion without becoming decorative. Counters are relatively small for the weight, giving the face a dense, poster-forward color; the lowercase is notably large and sturdy, and figures are wide and boldly shaped for even texture at large sizes.

Best suited to headlines and short display settings where its dense weight and sculpted details can read clearly—posters, bold branding, sports and event graphics, packaging, and attention-grabbing signage. It can work in compact blocks of copy at larger sizes, but its strong personality is most effective when used for emphasis rather than extended body text.

The overall tone is exuberant and high-energy, combining a friendly roundedness with an assertive, competitive punch. Its carved joins and bouncy terminals evoke a retro athletic/advertising feel, reading as confident and extroverted rather than neutral or minimalist.

This font appears designed to deliver maximum impact with a friendly, rounded silhouette while using carved joins to preserve clarity in heavy shapes. The wide, bold letterforms and lively terminals suggest an intention geared toward energetic display typography that stands out in branding and promotional contexts.

The design shows deliberate rhythm through recurring notches and wedge-like cutbacks (visible in letters like S, J, G, and 2/3/5), which keep heavy shapes from clogging and add a distinctive “machined” character. The uppercase has a billboard solidity, while the lowercase maintains the same muscular structure, helping mixed-case settings stay bold and coherent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸