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Sans Superellipse Ifru 6 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Gomme Sans' by Dharma Type, 'RBNo3.1' by René Bieder, and 'Obvia Wide' by Typefolio (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, industrial, sporty, techy, confident, compact, impact, modernity, brand voice, display clarity, geometric cohesion, squarish, rounded corners, blocky, geometric, sturdy.


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A heavy, blocky sans built from rounded-rectangle and superellipse-like forms. Strokes are consistently thick with minimal modulation, and corners are broadly radiused, producing smooth terminals and softened joins. Counters tend toward squared ovals (notably in O, 0, and lowercase bowls), while straight-sided letters (H, E, F, L) feel rigid and engineered. The lowercase shows a large x-height with simple, robust constructions and compact apertures; overall spacing and proportions favor broad, stable silhouettes and strong horizontal emphasis.

Best suited to short, high-impact text such as headlines, posters, logos, packaging callouts, and wayfinding where the chunky rounded geometry can carry from a distance. It also fits sports and tech-adjacent branding systems that need a sturdy, engineered look. For extended reading, it works more comfortably in brief blocks or large-scale statements where the dense rhythm remains intentional.

The design reads bold and utilitarian with an industrial, performance-driven tone. Its rounded geometry keeps the voice friendly enough for consumer branding, but the dense forms and squared counters add a technical, equipment-like seriousness. Overall it feels modern, confident, and built for impact rather than delicacy.

The font appears designed to deliver maximum visual punch with a clean, contemporary voice, using rounded-rectangle geometry to combine toughness with approachability. Its simplified, sturdy shapes suggest an emphasis on clarity at display sizes and a cohesive, modular system across letters and numerals.

The numerals match the letterforms’ squarish, rounded-counter logic, with a prominent, modular feel that suits signage and display settings. The sample text shows strong line presence and high visual mass, creating punchy headlines but a dense texture in longer paragraphs at large sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸