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Free for Commercial Use

Sans Faceted Tybu 2 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Acherus Feral' by Horizon Type, 'Daikon' by Pepper Type, 'Qualion' and 'Qualion Round' by ROHH, 'Core Gothic N' by S-Core, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, industrial, rugged, geometric, techy, poster-like, impact, modernity, edge, mechanical, durability, faceted, angular, chamfered, blocky, high-impact.


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A heavy sans with broad proportions and a distinctly faceted construction: bowls, curves, and diagonals are rendered as short planar segments with chamfered corners rather than smooth arcs. Strokes stay largely even, producing a solid, low-modulation texture, while internal counters remain open enough for display clarity. The lowercase shows compact, sturdy forms with a single-storey “a” and “g,” and the overall spacing reads slightly loose and robust, enhancing the blocky silhouette at larger sizes.

Best suited to headlines and short bursts of text where its faceted details and weight can read cleanly. It works well for branding, packaging, and apparel graphics, as well as interfaces or titles aiming for an industrial or technical tone. In longer passages it remains legible, but its strong angular character will dominate the page.

The faceted geometry gives the face a machined, utilitarian voice—more tool-and-metal than polished corporate. Its angular cuts and blunt terminals suggest toughness and engineered precision, lending a contemporary, slightly sci‑fi edge that still feels grounded and practical.

This design appears intended to translate a geometric sans into a planar, cut-edge aesthetic—delivering high impact with consistent, engineered facets that replace curves while preserving familiar letter shapes. The goal is a confident display voice that feels manufactured and modern rather than delicate or calligraphic.

Diagonal joins in letters like K, V, W, X and the polygonal rounding in C, G, O, Q create a consistent “cut from plate” rhythm across the set. Numerals follow the same chiseled logic, with straight-sided curves and crisp corner breaks that keep the design cohesive in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸