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Free for Commercial Use

Sans Normal Rimaj 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Galvani' by Hoftype; 'Amfibia' and 'Karibu' by ROHH; and 'Amsi Grotesk', 'Amsi Pro', 'Amsi Pro AKS', 'Crique Grotesk', and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: ui text, product branding, signage, packaging, headlines, friendly, modern, approachable, clean, confident, readability, approachability, modern utility, brand versatility, screen use, rounded, soft terminals, open counters, even rhythm, geometric-leaning.


Free for commercial use
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A sturdy sans with rounded, softened stroke endings and a predominantly monoline construction. Curves are smooth and generously opened, especially in round letters, while straight-sided forms keep a stable, contemporary structure. The lowercase shows clear, simple construction with a single-story “a” and an open “e,” and the overall spacing reads even and readable at text sizes. Numerals follow the same friendly, rounded treatment, with clear shapes and consistent weight across curves and stems.

Its clear forms and open counters make it a strong choice for UI text and product interfaces, where legibility at small sizes matters. The rounded finishing and confident weight also work well for branding, packaging, and wayfinding/signage, and it scales comfortably into short headlines where a friendly, modern tone is desired.

The font projects a friendly, contemporary voice—practical and direct, but softened by rounded terminals and open shapes. It feels approachable and inclusive rather than formal, lending a calm, everyday tone suited to modern digital interfaces and brand communications.

The design appears intended as a versatile, contemporary sans that prioritizes clarity and approachability. By combining simple geometric structure with softened terminals and open apertures, it aims to feel modern and functional while remaining warm and accessible in everyday reading.

Round letters like O/C/G maintain smooth circularity, while diagonals (V/W/X/Y) are sturdy and cleanly joined, giving the type a dependable, no-nonsense rhythm. The hook of “j” and the descenders remain unobtrusive, supporting compact line setting without feeling cramped. Overall, the design balances geometric simplicity with humanized softness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸