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Free for Commercial Use

Sans Superellipse Apda 5 is a light, normal width, monoline, upright, tall x-height font visually similar to 'Navine' by OneSevenPointFive (names referenced only for comparison).

Keywords: ui, wayfinding, branding, editorial, packaging, clean, modern, technical, calm, minimal, clarity, modernity, approachability, systematic design, interface readability, rounded corners, soft terminals, open apertures, geometric, rational.


Free for commercial use
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A monoline sans built from rounded-rectangle geometry, with softly squared curves and consistent stroke weight. Curves resolve into superelliptical bowls and rounded corners rather than perfect circles, giving counters a tidy, engineered feel. Uppercase forms are tall and straightforward with generous interior space, while the lowercase shows a notably tall x-height and simple, single-storey constructions. Numerals follow the same rounded-rectilinear logic, with clear, open shapes and minimal ornamentation.

Well suited to user interfaces, dashboards, and product typography where a tall x-height and open forms help maintain clarity. It also works effectively for signage and wayfinding, as well as contemporary branding and packaging that benefit from a geometric-but-soft voice. In editorial settings, it can provide a modern, neutral texture for headings and short passages.

The overall tone is clean and contemporary, with a quiet, technical polish. Its rounded corners soften the geometry, keeping it friendly and approachable while still reading as precise and utilitarian. The rhythm feels measured and calm, suited to interfaces and modern brand systems that want neutrality without coldness.

The font appears designed to blend geometric discipline with softened corners to improve approachability and screen-friendly clarity. Its superelliptical construction suggests an intention to feel systematic and modern while avoiding harshness, delivering a balanced, contemporary sans for everyday communication.

The design leans on rounded joins and gently squared terminals, creating a consistent “soft-tech” silhouette across letters and figures. Apertures appear open and counters remain uncluttered, supporting clarity in continuous text. Diagonals and verticals maintain an even presence, reinforcing a controlled, systematic texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸