Sans Superellipse Omloy 1 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Protrakt Variable' by Arkitype; 'Navine', 'Revx Neue', and 'Revx Neue Rounded' by OneSevenPointFive; and 'Nulato' by Stefan Stoychev (names referenced only for comparison).
Keywords: ui text, app design, wayfinding, branding, signage, modern, friendly, clean, techy, neutral, clarity, modernization, approachability, systematic design, brand distinctiveness, rounded corners, rectilinear curves, soft geometry, even color, open counters.
A geometric sans with rounded-rectangle construction: straight stems and arms transition into broad, softened corners, giving curves a squared-off, superelliptical feel rather than true circles. Stroke weight is consistent and produces an even typographic color, while counters are generally open and generously sized for clarity. Terminals are clean and mostly flat, and the overall proportions favor sturdy, compact forms with crisp horizontals and verticals. Numerals match the same rounded-rect geometry, maintaining a cohesive rhythm across text and display sizes.
Well-suited to interface typography, product labeling, and dashboards where a steady rhythm and clear shapes help scanning. The rounded-rect geometry also works effectively in contemporary branding, signage, and headlines that want a modern, slightly softened technical voice without becoming playful or informal.
The design reads as contemporary and approachable, combining a utilitarian, system-like structure with softened corners that reduce severity. It conveys a calm, efficient tone with a subtle tech sensibility, staying neutral enough for broad branding while still feeling distinctly geometric.
The font appears designed to blend functional readability with a distinctive rounded-rect identity, offering a geometric alternative to neutral grotesks. Its consistent stroke and softened corners suggest an intention to perform reliably in digital environments while retaining a recognizable, modern character.
Round characters such as O and 0 appear more like rounded squares, and letters like U, D, and G show the same rectilinear curvature, reinforcing a consistent superellipse theme. The spacing and shapes feel engineered for predictable rhythm, with minimal stroke contrast and a controlled, structured silhouette.