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Free for Commercial Use

Slab Unbracketed Mybu 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Blame Sport' by Agny Hasya Studio, 'Beau's Varsity' by Beau Williamson, '3x5' by K-Type, and 'Outright' by Sohel Studio (names referenced only for comparison).

Keywords: posters, headlines, signage, logos, packaging, western, vintage, sturdy, industrial, playful, impact, nostalgia, bold branding, ruggedness, blocky, square-serif, high-contrast shapes, compact counters, mechanical.


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A heavy, block-constructed slab serif with squared terminals and unbracketed serifs that join the stems abruptly. Strokes are consistently thick with minimal modulation, and corners are largely squared with occasional small insets that create a punched, stencil-like crispness. Counters tend to be compact and rectangular, giving the face a dense, poster-ready color. Proportions are pragmatic and sturdy, with firm verticals, broad shoulders, and a slightly squat overall feel that emphasizes solidity and impact.

Best suited to display settings where weight and presence are essential—posters, headlines, storefront-style signage, and bold branding marks. It can also work on packaging and labels that benefit from a vintage or Western-leaning voice, especially when set with generous tracking and ample line spacing.

The font projects a bold, workmanlike character with a clear nod to Western and vintage display traditions. Its chunky slabs and tight counters create an assertive, no-nonsense tone, while the squared details add a friendly, toy-block playfulness. Overall it feels nostalgic and utilitarian at once—like signage, packaging, or headlines meant to be noticed quickly.

The letterforms appear designed to deliver maximum impact through broad slabs, compact counters, and squared detailing, evoking historic wood-type and sign-painting influences while staying clean and regular. The intention seems to prioritize immediate legibility and a distinctive, rugged texture for attention-grabbing display typography.

The design relies on strong right angles and simplified internal shapes, which helps maintain clarity at large sizes while producing a distinctive, ink-heavy texture in text lines. Numerals and caps read especially robust, reinforcing a signage-oriented rhythm and a consistent, geometric footprint across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸