Sans Faceted Andy 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Tradesman' by Grype and 'Kinesthesia' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, logos, game ui, packaging, industrial, arcade, techno, gothic, aggressive, impact, futurism, machined look, signage, branding, angular, chiseled, octagonal, geometric, modular.
A heavy, angular display face built from straight strokes and clipped corners, replacing curves with faceted, octagonal geometry. Stems are thick and uniform, with frequent diagonal chamfers at terminals and in counters, creating a consistent “cut metal” rhythm. The uppercase is compact and blocky with squared bowls and deep notches, while the lowercase echoes the same construction with simplified, sturdy forms. Numerals follow the same planar logic, reading as bold, sign-like shapes with sharp internal corners and flattened curves.
Best suited to display settings where its faceted construction can read clearly: posters, titles, branding marks, product packaging, and game/tech interface headings. It also works well for short, high-impact labels and numerals on badges, scoreboards, or signage-style layouts where a tough, geometric voice is desired.
The overall tone is hard-edged and mechanical, suggesting stamped lettering, sci‑fi interfaces, and retro arcade aesthetics. Its sharp facets and dense color give it a forceful, assertive voice that feels engineered rather than handwritten. The texture reads energetic and tactical, with a slight gothic/blackletter echo in a few pointed joins without becoming traditionally calligraphic.
The font appears designed to deliver maximum impact through a consistent system of planar cuts and squared forms, trading smooth curvature for a machined, architectural look. Its intent is likely to provide a distinctive, high-visibility display style that evokes industrial fabrication and retro-futuristic graphics.
The design relies on repeated chamfer angles, giving strong stylistic cohesion across caps, lowercase, and figures. Inner counters are small relative to the stroke weight, boosting impact at large sizes but increasing visual density in long text. Diagonal cuts at shoulders and joins create distinctive silhouettes that can help short words and logos stand out.