Sans Faceted Bena 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Borgstrand Pro' by Martin Lexelius Core (names referenced only for comparison).
Keywords: headlines, posters, sports branding, game ui, packaging, industrial, sporty, arcade, tactical, techno, impact, ruggedness, futurism, signage, branding, octagonal, chamfered, blocky, geometric, compact.
A heavy, geometric display sans built from straight strokes and sharp chamfered corners, replacing curves with crisp planar facets. Counters and apertures tend toward squarish and octagonal shapes, with consistent stroke thickness and a compact, engineered silhouette. Terminals are blunt and angled, producing a strong stencil-like rhythm without actual breaks, while joins stay tight and angular. Lowercase follows the same faceted construction and reads as a small-caps-like companion with simplified, boxy bowls and short, sturdy extenders.
Best suited to short, high-impact settings such as headlines, posters, team or esports branding, product packaging, and game/UI titling where bold, angular shapes help establish a strong visual identity. It can also work for signage or labels that want an industrial, engineered feel, especially when set at larger sizes.
The overall tone is forceful and mechanical, evoking industrial signage, sports uniform lettering, and retro arcade or sci‑fi interfaces. Its faceted geometry feels hardened and utilitarian, projecting toughness, speed, and a no-nonsense attitude.
The likely intent is to deliver maximum punch with a rigid, faceted construction that stays consistent across uppercase, lowercase, and numerals. By trading curves for chamfers and keeping forms compact, it aims for immediate recognition and a distinctive, hard-edged texture in display typography.
The design favors closed forms and tight apertures, which amplifies darkness and impact but benefits from generous sizing and spacing in longer text. The numeral set matches the same chamfered language, supporting cohesive, logo-like compositions where letters and numbers need to feel equally robust.