Sans Superellipse Keme 5 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'CF Blast Gothic' by Fonts.GR, 'Hornsea FC' by Studio Fat Cat, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, apparel, sporty, urgent, dynamic, industrial, aggressive, space-saving impact, speed emphasis, modern utility, high visibility, condensed, oblique, monoline, rounded corners, squarish rounds.
A heavy, condensed oblique sans with compact proportions and tightly drawn counters. Curves resolve into squarish, rounded-rectangle bowls and terminals, giving round letters a superelliptical feel rather than circular. Strokes are largely monoline with minimal modulation, and joins are sturdy and closed, producing a dense texture. The slant is consistent and the overall rhythm is vertical and stacked, with short ascenders/descenders and crisp, clipped-looking terminals.
Well-suited to high-impact headline settings such as sports identities, event posters, product packaging, and apparel graphics where a fast, assertive voice is needed. It also works for short UI labels or calls to action when space is tight and a bold, condensed emphasis is desired.
The font conveys speed and pressure, with a punchy, poster-like presence that reads as sporty and forceful. Its compressed build and forward lean suggest motion and competitiveness, while the rounded-rect geometry adds a modern, engineered tone rather than a soft or friendly one.
The design appears intended to deliver maximum impact in narrow horizontal space, pairing a consistent forward slant with robust, rounded-rect construction for a contemporary, high-energy look. Its simplified stroke structure and tightly controlled geometry prioritize a strong, uniform texture and immediate attention.
Uppercase forms are compact and blocky, and the numerals share the same condensed, forward-leaning stance for a cohesive set. The heavy weight and tight apertures create a strong silhouette at display sizes, while the dense interior spaces can become visually packed when set in long lines or at small sizes.