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Sans Normal Togid 6 is a bold, wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, editorial, brand marks, packaging, classic, dramatic, formal, confident, display impact, editorial tone, classic authority, premium branding, strong texture, flared, bracketed, sculpted, vertical stress, tight joins.


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A heavy, display-oriented roman with pronounced thick–thin contrast and largely vertical stress. Strokes end in subtle flares and wedge-like terminals that read as restrained serifs, giving the forms a sculpted, ink-trap-free solidity rather than a purely monoline build. Round letters are compact and weighty with small, crisp apertures, while vertical stems feel dominant and steady; curves transition sharply into straighter segments, creating a chiseled rhythm. Proportions favor strong capitals and sturdy lowercase with relatively short ascenders/descenders and a compact internal economy that keeps counters tight at heavier sizes.

Best suited to headlines, deck copy, and large-size editorial settings where its contrast and sculpted terminals can be appreciated. It can also serve for branding and packaging that calls for a classic, assertive tone, and for short emphasis text where a dense, authoritative texture is desirable.

The overall tone is authoritative and editorial, combining a traditional bookish seriousness with a bold, headline-ready punch. Its high-contrast modeling and flared terminals lend a slightly vintage, engraved feel without becoming ornate, producing a confident and institutional voice.

The design appears intended to deliver a classic, high-impact reading of a traditional roman, emphasizing dramatic contrast and sturdy silhouettes for display typography. It balances familiar letter structures with tightened counters and flared endings to create a distinctive, premium feel in titles and prominent text.

The sample text shows strong word-image and dense texture, with particularly dark joins in letters like a, e, s, and g. Numerals appear robust and highly stylized in their curves (notably 2, 3, and 9), reinforcing a display character that favors impact over neutrality at small sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸