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Free for Commercial Use

Sans Normal Togid 5 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Contralto' by Synthview (names referenced only for comparison).

Keywords: headlines, editorial, branding, posters, packaging, luxury, dramatic, confident, refined, display impact, premium tone, editorial elegance, brand presence, high contrast, high-contrast, sculpted, crisp, swashy, calligraphic.


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This typeface pairs heavy verticals with razor-thin hairlines and sharply tapered terminals, producing a distinctly high-contrast, sculpted texture. Curves are broad and clean, with tight joints and crisp edges that read as precision-cut rather than soft or brushy. The lowercase shows a two-storey “a” and “g” with pronounced bowls and fine entry strokes, while many letters feature subtle angled shears and wedge-like finishes that add motion without leaning overall. Numerals follow the same contrast logic, with delicate inner connections and bold outer masses, creating a striking rhythm in display sizes.

This font is well suited to headlines, magazine titling, and brand marks where dramatic contrast and crisp detailing can be appreciated. It can work effectively on posters, packaging, and short callouts, especially in larger sizes where the hairlines remain clear. For longer passages, it is likely best reserved for standout phrases or pull quotes rather than continuous small text.

The overall tone feels editorial and fashion-forward, with a dramatic, upscale presence that suggests polished headlines and premium branding. Its sharp hairlines and sculpted curves convey sophistication and authority, while the occasional swashy stroke adds a slightly theatrical, expressive edge.

The design appears intended to deliver a modern, high-impact display voice built on extreme stroke contrast and refined, sharply finished shapes. It aims to balance clean, round construction with just enough calligraphic tapering to feel bespoke and premium.

In dense settings the hairlines become a defining feature, creating sparkling highlights and strong black/white interplay; this makes the design especially dependent on sufficient size and clean reproduction. The forms maintain a consistent contrast model across capitals, lowercase, and figures, yielding a cohesive, intentional display color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸