Sans Other Jamod 6 is a regular weight, normal width, monoline, upright, tall x-height font.
Keywords: headlines, logos, posters, gaming ui, sci-fi branding, futuristic, techno, retro, modular, geometric, futurism, distinctive display, systemic geometry, tech flavor, retro sci-fi, angular, rounded corners, stencil-like, compact joins, squared curves.
A geometric, monoline sans with a modular construction that mixes squared bowls and open, clipped apertures. Strokes keep a consistent thickness, while many terminals resolve into flat, squared ends; curves are often drawn as rounded-rectangle arcs rather than true circles. Counters tend to be compact and occasionally gated or notched, giving letters like C, S, and G a deliberately engineered, cut-out feel. Proportions lean tall with a prominent x-height, and the overall rhythm alternates between tight interior space and airy outer silhouettes for a crisp, high-contrast-from-space look even at larger sizes.
Best suited for display settings such as headlines, logotypes, posters, title cards, and interface or HUD-style labeling where its angular geometry can read as intentional character. It can also support short bursts of text in branding or packaging that aims for a tech or retro-futurist aesthetic, while longer passages will feel more decorative than neutral.
The tone reads futuristic and tech-oriented with a clear retro-sci‑fi undercurrent, like instrument labels or classic arcade/space-age titling. Its controlled geometry and repeated notches feel systematic and mechanical, projecting precision more than warmth. Overall it communicates speed, hardware, and modernist design cues with a playful, stylized edge.
The design appears intended to deliver a distinctive, system-built sans that feels engineered and contemporary while nodding to retro futurism. By standardizing stroke weight and using squared curves and clipped apertures, it prioritizes recognizable silhouettes and thematic consistency for branding and titling.
Distinctive details include frequent “gate” shapes at joins and openings, a single-storey style for several lowercase forms, and numerals that echo the same squared-curve logic for strong set consistency. The design’s stylization is most pronounced in round letters and in characters with diagonals, where the modular curvature and flattened terminals create a signature silhouette.