Sans Other Epnu 3 is a very bold, very wide, high contrast, italic, tall x-height font visually similar to 'Glize' by Linecreative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming, film titles, futuristic, industrial, aggressive, techno, sporty, impact, speed, tech identity, branding, titles, oblique, condensed apertures, angular, blocky, cut-in counters.
A heavy, oblique display sans built from compact, angular slabs and sharply chamfered corners. Strokes are mostly straight and planar, with counters and joins formed by notched cuts and narrow internal slits that create a segmented, engineered feel. Proportions are wide and low with a strong, forward-leaning stance; spacing reads tight and dense, especially in lowercase where apertures are reduced and interior openings are minimal. Numerals and capitals follow the same faceted construction, with consistent diagonal terminals and squared-off curves that keep the texture uniform at headline sizes.
Best suited to large-scale applications where the faceted cuts and narrow counters stay legible: posters, title cards, esports and sports branding, album/track artwork, and bold packaging or merch graphics. It can work for short UI labels or badges when set generously, but the dense interior spaces make it less comfortable for long paragraphs.
The overall tone is fast, mechanical, and assertive—more like stenciled hardware or sci‑fi UI lettering than neutral signage. Its sharp cuts and compressed openings add tension and urgency, suggesting speed, competition, and a techno-industrial aesthetic.
This font appears designed to deliver maximum impact through a hard-edged, modular construction and a pronounced forward slant. The repeated notches and slit counters likely aim to evoke speed and precision while giving a proprietary, logo-like identity even in plain text.
The distinctive slit-like counters (notably in letters like A, D, O, and several lowercase forms) become a key identifying motif and can darken text color in longer settings. The italic angle and blocky joins create strong directionality, which works best when layout has room for the forward motion rather than tight column widths.