Sans Faceted Wula 2 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Stanix' by ActiveSphere, '1312 Sugoi' by Ezequiel Filoni, 'Hubba' by Green Type, 'Hunk' by Haiku Monkey, 'Fierd' by Locomotype, and 'Kreak Display' by Tebaltipis Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming ui, logos, aggressive, industrial, sporty, futuristic, tactical, impact, speed, tech edge, rugged branding, display emphasis, slanted, angular, faceted, blocky, compressed counters.
A heavy, right-leaning display sans built from sharp planar cuts rather than smooth curves. Strokes are thick and continuous with frequent chamfered corners, creating a faceted silhouette across rounds and diagonals. Counters and apertures are tight and often formed by angular notches, giving letters a dense, punchy texture. The design maintains a strong horizontal stance with squared terminals, crisp edges, and a consistently mechanical rhythm that stays legible at large sizes despite the compact interior space.
Best suited to short, prominent text such as posters, titles, packaging callouts, esports or sports identities, and high-energy promotional graphics. It can also work for UI headers in gaming or tech contexts where a bold, angular voice is desired; for longer paragraphs, added spacing and larger sizes help maintain clarity.
The overall tone is forceful and high-impact, with a speed-and-power feel reinforced by the forward slant and hard-edged geometry. Its faceted construction reads as technical and rugged, suggesting motorsport, tactical gear, or arcade-era sci‑fi rather than refined editorial typography.
The design appears intended to deliver maximum visual impact through a fast, forward-leaning stance and a chiseled, geometric construction. By replacing curves with facets and keeping counters compact, it prioritizes a rugged, technical presence that reads immediately in branding and display settings.
Uppercase and lowercase share a unified blocky construction, with single-storey forms and simplified joins that favor solidity over calligraphic nuance. Numerals match the same chiseled language and work well for large, attention-grabbing figures. The sample text shows a dark typographic color and tight internal spacing that benefits from generous tracking when used in longer lines.