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Slab Contrasted Gido 8 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Clab' by Eko Bimantara; 'Cargan', 'Equip Slab', 'Orgon Slab', and 'Shandon Slab' by Hoftype; and 'Fenomen Slab' by Signature Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, athletic, vintage, assertive, playful, punchy, high impact, sport display, retro appeal, headline emphasis, brand voice, chunky, bracketed, ink-trap-like, compact counters, soft corners.


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A heavy, right-leaning slab serif with broad proportions and a compact internal rhythm. Strokes are thick and largely even, with subtle modulation that shows most at joins and terminals rather than along long stems. Serifs read as sturdy slabs with gentle bracketing, and many forms have slightly softened corners that keep the texture from feeling brittle. Counters are relatively tight for the weight, giving the face a dense, poster-ready color, while the italic slant adds forward motion across lines.

Best suited for headlines, posters, and brand marks where a bold, energetic voice is needed. It also works well for sports-themed identities, event graphics, and packaging callouts, especially when set large or with generous tracking to keep the dense texture open. For paragraph-length copy, it’s most effective in short display passages or emphatic pull quotes.

The overall tone is bold and energetic, with a classic sporty flavor that evokes team lettering, packaging, and mid-century display typography. Its chunky slabs and pronounced slant feel confident and attention-seeking, while the rounded shaping keeps it approachable rather than severe.

The design appears aimed at delivering a high-impact italic slab for display use, combining sturdy, bracketed slabs with a streamlined forward slant to suggest speed and confidence. The tight counters and wide stance prioritize presence and recognizability at larger sizes, making it well suited to branding and promotional typography.

The numerals and capitals carry a strong, blocky presence suited to short bursts of text, and the italic angle remains consistent across the set, helping headings read as a unified, fast-moving band. In longer sample lines, the dense weight and tight counters create a strong black mass, favoring impact over airy readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸