Slab Contrasted Ibky 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Bandera', 'Bandera Cyrillic', and 'Bandera Pro' by AndrijType; 'Goodall' by Colophon Foundry; 'Bluteau Slab' by DSType; 'Equip Slab' and 'Shandon Slab' by Hoftype; 'Kondolarge' by TypeK; and 'Palo Slab' by TypeUnion (names referenced only for comparison).
Keywords: posters, headlines, branding, logos, packaging, assertive, retro, sporty, headline, playful, impact, motion, attention, nostalgia, display, slab serifs, bracketed, rounded, chunky, oblique.
A heavy, oblique slab-serif with broad proportions and compact internal counters. Strokes are generally thick and steady, with subtly softened joins and rounded terminals that keep the mass from feeling overly rigid. The slabs read as substantial and slightly bracketed, giving letters a sturdy, poster-like silhouette. Curves are full and bulbous (notably in C, O, S, and the lowercase rounds), while diagonals and horizontals maintain a consistent, blocky rhythm; figures are similarly weighty and built for impact.
This font performs best in display contexts such as posters, headlines, and prominent UI or editorial callouts where strong presence is needed. It also suits branding and packaging that want a retro-sport or bold Americana feel, and works well for short, emphatic statements, badges, and wordmarks.
The overall tone is bold and confident with a vintage, sign-painter/athletic flavor. Its slanted stance adds motion and energy, while the chunky slabs and rounded forms keep it friendly rather than severe. The result feels attention-grabbing and upbeat—well suited to punchy, expressive messaging.
The design appears intended to deliver maximum impact with a lively slant, pairing robust slab serifs with rounded, approachable shapes. It prioritizes recognizable, high-ink silhouettes and energetic rhythm for attention-first typography rather than quiet text settings.
Spacing appears generous enough for display use, and the strong silhouettes hold up well at larger sizes. The italic angle is consistent across uppercase, lowercase, and numerals, helping long lines of display copy feel cohesive. The combination of stout slabs and softened curves gives it a distinctive “muscle” without looking mechanical.