Sans Other Bukov 3 is a regular weight, wide, high contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, magazine type, packaging, modernist, graphic, playful, editorial, stylish, distinctive voice, display impact, modern reinterpretation, logo friendliness, geometric, monoline, calligraphic cuts, sharp joins, round counters.
This typeface is a clean sans with a geometric skeleton and pronounced, stylized stroke modulation. Many letters combine very thin hairlines with heavy, teardrop-like terminals or wedge-shaped bowls, creating a crisp black–white rhythm. Curves are drawn with large, near-circular counters (notably in C, O, e, o), while verticals often stay slender and straight, producing a distinctly mixed texture across the alphabet. Joins and diagonals tend to be sharp and angular (K, V, W, X, Y), contrasted against smooth, open curves and clipped apertures in several lowercase forms.
It is well suited to headlines, logos, and brand systems where a distinctive, graphic sans is desired. The strong terminal accents and open counters also work well for large-format editorial typography, posters, and packaging where the texture can be part of the visual identity.
The overall tone feels modern and design-forward, with a slightly whimsical, fashion/editorial attitude driven by the dramatic terminal shapes. The alternating thin-and-bold gestures give it a lively, animated presence that reads as contemporary and intentionally expressive rather than purely utilitarian.
The design appears intended to reinterpret a geometric sans with decorative, high-impact terminals and selective modulation, aiming for a recognizable signature in display settings. It prioritizes character and silhouette—through bold terminal weighting and crisp hairlines—while keeping an overall sans structure that remains clean and contemporary.
The numerals follow the same idea of circular forms paired with strong, sculpted terminals, with particularly eye-catching 2, 3, and 8. In text, the font creates a distinctive pattern of bold spots at letter ends, so spacing and word shapes feel energetic and somewhat display-oriented even at paragraph scale.