Sans Superellipse Ganuh 9 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Americane Condensed' by HVD Fonts, 'Otoiwo Grotesk' by Pepper Type, 'Sans Beam' by Stawix, 'Nominee' by TypeUnion, and 'Herd' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, sports, packaging, logos, athletic, punchy, urgent, retro, loud, impact, speed, branding, display, readability, slanted, compact, rounded, chunky, dynamic.
A heavy, right-slanted sans with rounded, superelliptical bowls and tightly tensioned curves. Strokes are broadly uniform and dense, with compact internal counters that stay open but feel pressurized at display sizes. Terminals are mostly blunt and slightly angled, giving many letters a cut, forward-driving finish. The overall silhouette reads wide-shouldered and stable, while the italic slant and sharp joins add snap and momentum; spacing is set to keep the texture dark and continuous.
Best suited to short, high-impact settings such as headlines, poster typography, sports and esports graphics, bold packaging, and logo wordmarks where a fast, assertive slant helps lead the eye. It also works well for big numeric callouts (scores, pricing, dates) and attention-grabbing signage where weight and simplicity improve distance readability.
The font conveys speed and impact—confident, energetic, and a bit aggressive in a sports-headline way. Its rounded geometry keeps it friendly enough for mainstream branding, while the strong slant and compressed counters add urgency and excitement. The tone leans contemporary with a subtle retro sign-painter/display flavor.
The design appears intended as a forceful display italic: a dense, rounded sans that reads quickly and projects motion. Its superelliptical structure and blunt terminals aim for consistent, brandable forms, while the steep slant and tight rhythm deliver a competitive, high-energy voice.
Round letters like O/C/G show squarish-rounded construction, and the numerals share the same solid, slightly condensed heft, making mixed alphanumerics feel cohesive. The lowercase is built for high visibility, with a large, sturdy core and simplified shapes that prioritize punch over delicacy. At smaller sizes or in long passages the darkness and tight counters may feel heavy, but in short bursts it remains highly legible.